Just thought I'd share.
Thanks, Mary.
"I think we ought to read only the kind of books that wound and stab us. If the book we are reading doesn't wake us up with a blow on the head, what are we reading it for? ...we need the books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us." -Kafka
When I read this section, I see it more as the women taking advantage of Safran. His dead arm is the main thing that draws them to him, and it seems like they don't really see him as a person. He's kind of a blank slate that they use sexually and emotionally (they pour all of their issues into him), and he just stands there. We never see any emotion from him in relation to any of the affairs; he's not really a part of them. He's just a prop.
ReplyDeleteI do feel for Safran because the women are using him. However, he is also using them to an extent. In the theater, he puts his dead arm close to the gypsy so that she will see it, feel sorry for him, and want to have sex with him. At this point, I think he knows he can use the fact that he is crippled for sexual experience. After all, it has worked for him. Maybe Safran and the women are at fault.
ReplyDeleteI also think they're both at fault. The older women may be using Safran, but he brings it on himself. He never even tries to stop seeing them. And as for the younger women, he's using them much more than they're using him. I also agree with Nicole when she says that he's sort of a blank slate. Yet even though he doesn't show any emotion, he's still at fault for encouraging them.
ReplyDeleteI agree with you all. I think at the beginning it's the women taking advantage of Safran, but as he gets older he learns how his having a dead arm affects women, so he takes advantage of them. But is anyone taking advantage of anyone if they're both taking advantage of each other?
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